What is art? It's such a simple question but its one that no one can
quite answer. If you polled 5 random people on the street they would all
have different responses. Now that I am slowly becoming entrenched into
the world of entertainment I have been asking myself the same
question. Are studio productions any more or less artful than their
independent counterparts? Should something that has garnered mainstream
attention be held in the same regard as something no one has ever seen?
Must we be forced to pay for art or should it be handed to the masses?
Are we art? Is life art? Okay fine, I'll stop the rhetorical questions
before it gets a bit too existential but my point stands. These
questions are quite common despite their inherent complexity. Never have
I pondered this conundrum more than when I took an impromptu visit to
LACMA to "witness" the art of Kanye West.
For my dear
friends in Georgia, LACMA stands for the Los Angeles County Museum of
Art. Many of you have probably noticed the famous "Urban Lights"
pictured above. The lines between "fine art", music, and film are
blurred to the point of becoming indistinguishable. Me being in film and
a huge fan of all things music, I jumped at the opportunity to see a
Kanye West short film being exhibited at the museum. To make things
crazier, the film was directed by none other than Steve McQueen (12
Years A Slave). This union between these two masters of their crafts
filled me a mixture of great anticipation and hesitancy; both in equal
measure. Regardless of this, myself and a caravan of my fellow bulldogs
headed to the museum for the event.
Without ruining the
experience for everyone, I truly do think everyone should see this for
themselves, I'll attempt to give you a little context into what I saw.
First, it's important to note that the film center's around two songs
from Kanye's upcoming album. For this reason it feels much more like a
music video than a conventional film. Another interesting thing to point
out is that the entire 9min "event" is shot in one take. There is a
"chase" like aesthetic to the entire thing with many comparing it to a
matador and his bull. I don't know if I completely agree with that but
there is definitely some subverted text present. One on hand you can
view it as Kanye running from the "gaze" of our world or you can watch
it as Kanye just being Kanye; rife with pretension and all. My
interpretation? That is a little more complicated.
Through
a film perspective, I would be lying if I said this wasn't expertly
shot. Any filmmaker's blood pressure would raise to unsafe levels if
they knew they had to shoot something in one take for over 9 minutes
using only natural lighting. From a musical standpoint I think most
people will have to get over two major hurdles. First, you either like
Kanye's music or you don't. Secondly, and more importantly, the booming
base present was so overpowering that it was difficult to hear the other
elements of the song during the viewing. I do not however know if the
blame should be placed on the audio mix or the venue. The booming
presence may have also been purposeful which is something to consider.
After three viewings, I really could not decide if I liked what I saw or
not. I could not shake the feeling that if this exact project was made
by someone with less acclaim no one would ever see it or even give it
much thought. What I can say confidently though is that when I left
LACMA that day I left with more questions than answers; the most
prominent of those being,what the hell is art anyway?
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